16mm film look in DaVinci Resolve

Introduction

To achieve a 16mm film look in DaVinci Resolve, follow these steps in the Color tab:

1. Create five nodes and label them as follows:

   • Node 1: Apply a film grain effect by searching for "16mm preset" and adjust the grain strength as desired.
   • Node 2 (CST): Add a Color Space Transform, input your camera model, set the output color space to Rec 709, and output gamma to cineon film log.
   • Node 3 (L): Apply the Kodak 2393 d55 look from Da Vinci's built-in film looks.
   • Node 4: Make exposure and white balance adjustments as needed.
   • Node 5: Add a Hol effect and customize it to your preference.

2. Return to the timeline view and add a colored border effect to your clip, setting the color to Black and adjusting the corner radius to your liking.

Keyword

16mm film look, DaVinci Resolve, color grading, film grain, Color Space Transform, Kodak 2393 d55 look

FAQ

1. Can I achieve a 16mm film look in DaVinci Resolve without using the specific nodes mentioned in the article?

   • While the steps outlined in the article provide a structured approach to creating a 16mm film look, you can experiment with different effects and settings in DaVinci Resolve to achieve a similar result.

2. Is it necessary to follow the exact node order mentioned in the article to achieve the desired film look?

   • The suggested node order is based on a recommended workflow for achieving a 16mm film look. Feel free to adjust the order or experiment with different node configurations to achieve a unique aesthetic that suits your project.