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The 3-D underwater technology of Avatar 2

Film & Animation


Introduction

Following the success of the first film, the sequel to "Avatar" was slated to be shot in 3D. However, a new challenge arose - shooting 3D footage underwater. At the time, existing camera options were large, difficult to operate, and prone to distortions and artifacts due to the need to shoot through ports on the housing. Director James Cameron then discovered DP and inventor Powell Ortel, who had developed a cutting-edge 3D underwater camera, the Deep X 3D, never before used in a feature film. This system, similar to Cameron's Fusion 3D system, utilized two cameras and a beam splitter. By using Nikonos interchangeable lenses, they ensured exceptional clarity as these lenses were waterproof and could work outside the housing. Additionally, the entire performance capture process was tailored to work underwater, presenting a new set of challenges.

Keywords:

James Cameron, 3D technology, underwater filming, Deep X 3D camera, Nikonos lenses, performance capture, challenges

FAQ:

  1. What innovative 3D technology was used for filming underwater scenes in Avatar 2? In Avatar 2, director James Cameron employed the Deep X 3D camera system, developed by inventor Powell Ortel, to shoot underwater scenes in 3D. This system utilized two cameras and Nikonos interchangeable lenses for exceptional clarity.

  2. How did the use of Nikonos lenses contribute to filming underwater in Avatar 2? The use of Nikonos lenses in Avatar 2 allowed for superior image quality underwater as these lenses were waterproof and could work outside the camera housing, ensuring supreme clarity in the footage.

  3. What challenges did the production team face while shooting 3D footage underwater for Avatar 2? The production team encountered difficulties such as distortions, artifacts, and the need to operate large and complex cameras that had to shoot through ports on the housing. Adapting the performance capture process to work underwater also presented a brand new set of challenges for the filmmakers.