Writing a short film can feel daunting, especially with the many myths surrounding it. Unlike feature films, short films have unique structural and narrative demands that require a solid understanding of storytelling fundamentals. In this article, we will explore how to write a strong dramatic narrative for a short film, using the existing short film "Stutterer" as a case study.
Contrary to popular belief, short films can pack a powerful emotional punch. A meaningful story can be told succinctly by focusing on core story elements.
Setup is critical, even in short films. Writers often skip or rush this phase, but the audience needs context to engage with the narrative.
Even if a short film looks stunning, lack of storytelling will lose the audience's interest. A strong narrative remains the heart of any film.
To illustrate a productive approach to writing a short film, we can examine "Stutterer," directed by Benjamin Cleary. While this isn't presented as a formula, the steps outlined here provide a useful framework to craft your narrative.
Begin with an idea or character. For this example, we focus on a man who stutters—this serves as our foundational concept.
Our central character, Greenwood, believes his stutter prevents him from forming intimate relationships. Understanding his desires and beliefs allows us to dig into the story's conflict.
Greenwood desires a deep and meaningful relationship. However, his beliefs lead him to feel disconnected from the world due to his stutter.
A love interest, Ellie, is introduced. Unlike Greenwood, she possesses self-acceptance, opening philosophical conflicts that challenge Greenwood's beliefs. A father figure character can further emphasize acceptance and support.
Using Dan Harmon's story circle can provide a structured framework for our film:
While developing the narrative, enrich dialogue and stylistic choices based on the foundational structure and character development.
In "Stutterer," we see Greenwood's stutter as his major external problem, shaping his identity and interactions. The film effectively communicates the internal conflict through concise dialogue and scenes that highlight both character growth and vulnerability.
The film features moments of self-judgment that reinforce Greenwood's philosophical struggles. His decision to meet Ellie is a critical point of action that challenges both his external obstacle and internal beliefs.
By focusing on these essential story elements and using narrative structures, creators can formulate a short film that resonates deeply with its audience. With practice and perseverance, anyone can give voice to their unique story through the medium of a short film.
Q: What are the main components of a short film?
A: The main components include a strong narrative structure, character development, a philosophical conflict, and meaningful dialogue.
Q: Can short films be dramatic?
A: Yes, short films can be deeply meaningful and dramatic by focusing on fundamental story elements.
Q: How do I set up a short film?
A: Establish context quickly to engage your audience and introduce your character’s motivations and conflicts early in the story.
Q: What is Dan Harmon’s story circle?
A: It's a narrative structure tool that consists of eight essential steps for storytelling, adaptable to various formats, including short films.
Q: How should I develop my characters?
A: Build out your characters by understanding their wants, beliefs, and the conflicts they face, both internally and externally.
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