How To Edit and Sequence Photo Projects & Books (ft. Noah Waldeck)

Introduction

In today’s discussion, we’ll be exploring the intricacies of editing and sequencing photo projects, as well as the creative approaches to presenting a cohesive body of work. We specifically sought insight from Noah Waldeck, an experienced publisher at Subjectively Objective, who has collaborated on projects like my book, An American Mile. Throughout our conversation, we tackled various topics that will be invaluable for photographers at any stage of their project-based work.

Approaches to Photo Projects

When approaching a photo project, there are generally two main methodologies.

Goal-Oriented Approach: This method involves starting with a specific intention or concept. With this approach, a photographer sets out with a clear picture in mind and actively searches for images that fit this vision, akin to assembling puzzle pieces.
Discovery Approach: Alternatively, one might begin capturing images without a predetermined concept. After reviewing the work, the photographer may identify emerging themes or ideas, allowing them to shape a project organically based on what they’ve discovered.

It’s important to acknowledge that both methods have their value, and often the most fruitful projects display elements of both.

Finding Creative Direction

Finding an artistic personal direction can be challenging. The range of inspiration available in the photography world is vast—from historical documentation to highly conceptual art. Noah suggests that the best approach is one that excites you. If you’re passionate about what you’re creating, that enthusiasm will manifest in the quality of the work.

One practical technique for fostering creativity is to embrace constraints—be they geographic, thematic, or stylistic. Setting limits can provoke deeper exploration within a defined framework.

Determining Project Size

The size of a project can greatly vary, and this leads directly to questions about when a project is "finished." There is no hard and fast rule concerning how many images a project requires. However, a rough guideline is that for a photo book, 30 to 50 images could suffice while ensuring there is ample material to select the strongest pieces.

Ultimately, the project’s scope should resonate with your vision. Thematic richness can often create a more powerful body of work.

Image Selection: Consistency and Variety

As a publisher, consistency is crucial when evaluating a body of work. Each photographer must demonstrate their ability to produce consistently strong images that stand apart from being a simple fluke.

In terms of variety, this heavily relies on the type of project. For example, typological projects, which document variations of one subject, will inherently have less variety than projects centered around a broader theme.

When curating images, it's more effective to focus on a cohesive narrative rather than attempting to showcase a breadth of styles or subjects. A tighter selection will present a stronger narrative.

The Editing Process

The editing process is perhaps one of the most challenging aspects of completing a project. If working solo, Noah emphasizes the importance of taking a break after shooting before reviewing images. This distance allows for a more objective critique of one's work.

It's easy to gravitate toward the "greatest hits" of images one loves, but including quieter, subtler images often creates a greater impact when sequenced thoughtfully.

Sequencing and Pairs

Once you've made initial selections, how do you go about sequencing images? Pairing images can be a method of creating dialogues between pieces. In Noah's work, he prioritizes pairs that hold visual coherence, while considering the narrative that the duo presents.

When sequencing, it’s important to ensure that subsequent images create an experiential rhythm. Strive for variety and surprise while maintaining cohesion and continuity.

Finalizing Your Project

Creating a photo book or Zen can be a deeply rewarding process. Noah suggests starting small, maybe even hand-binding or producing a print-on-demand project to get familiar with the workflow and visualize your images in printed form.

As you progress, utilize tools such as PDF readers to simulate the book’s experience, allowing you to refine those crucial editorial choices before your project is finalized.

In summary, the artistic journey of editing and sequencing photographs is deeply personal and is enhanced by understanding and applying these principles effectively. Whether you're just starting out or refining your methods, these insights can elevate your approach to project-based work.

Keywords

photography projects, editing, sequencing, image pairs, creative direction, project size, consistency, visual coherence, photo books, Zen, narrative

FAQ

1. What are the main approaches to creating a photo project?

The two main approaches are a goal-oriented approach, where you start with a specific concept, and a discovery approach, where you capture images first and identify themes later.

2. How should I determine the size of a photo project?

While there are no hard rules, a project can vary in size. For a photo book, usually 30 to 50 strong images are recommended, giving you enough flexibility for selection.

3. How important is consistency and variety in a photography project?

Consistency is crucial; it demonstrates a photographer’s skill. Variety depends on the project. Projects like typologies may have less variety, while broader themes allow for more.

4. What steps should I take when editing my photographs?

After shooting, take a break before reviewing your images. This will help you critique your work more objectively and evaluate what's strongest together rather than just your favorites.

5. How do I effectively sequence my images?

Prioritize visual coherence when pairing images and ensure the sequence flows well. Aim for a rhythm that balances familiarity and surprise, promoting a rewarding viewing experience.