My Favorite VOCAL MIX TRICKS

Introduction

Hey everyone, I'm Cole Capar. Thanks for stopping by for another video where I share some valuable insights into vocal mixing. Today, I'm excited to discuss my three favorite vocal mixing techniques. As we all grow and evolve in our craft, these techniques have significantly improved my vocal mixing process, and I believe they can do the same for you.

Technique 1: Tape Saturation with EQ

One of the vocal mixing techniques that I’ve come to love is using a tape saturation plugin. My current favorite is T3, but any tape emulation plugin will work. Here’s the trick: before the tape plugin, I always apply an EQ and boost a high shelf around 10K to 12K. This setup allows the vocal to gain a crispy and present sound without introducing harshness, which is often associated with higher frequencies. I recommend experimenting with various tape saturation and transformer emulation plugins to see which one resonates with your style.

Technique 2: Multiband Compression for Sibilance Control

I have a more in-depth video on this next technique, which focuses on setting up the FabFilter multiband compressor. The goal is to use the vocal’s sibilance to trigger a lower band in the 2 to 5K range. This band will only compress during the sibilance, allowing you to add more air and top-end to the vocal without it sounding harsh. By using this method, you gain control over sibilance, so you can enhance the vocal’s presence without the fear of it becoming too piercing.

Technique 3: Doubling and Triple Tracking Vocals

Another vocal mixing technique that I frequently use involves doubling and triple-tracking lead vocals, especially in choruses. Instead of panning these doubles and triples hard left and right, I prefer to find a sweet spot closer to the center. This technique creates a wider sound while ensuring the lead vocal remains the focal point. To achieve this, I often cut a bit of presence and sibilance in the doubled/tripled vocals, ensuring they sit under the main vocal. The goal here is not to draw attention away from the lead vocal but to allow it to sound fuller and richer in the mix.

Conclusion

These three vocal mixing tricks have become staples in my mixing process. I encourage you to experiment with these techniques, adapt them to your own style, and refine them according to the music you work on. Remember, the principles and concepts are what matter, and applying them creatively can lead to remarkable results in your vocal productions.

Keyword

• Vocal Mixing
• Tape Saturation
• EQ
• Multiband Compression
• Sibilance Control
• Doubling
• Triple Tracking
• Presence

FAQ

Q: What is the purpose of using a tape saturation plugin in vocal mixing?
A: Tape saturation plugins add warmth and richness to vocals, helping them sound crisp and present without introducing harshness.

Q: How can I control sibilance in my vocal mix?
A: Using a multiband compressor to target the sibilance frequency range allows you to manage harshness while increasing air and top-end in the vocal.

Q: Why should I double or triple track my lead vocals?
A: Doubling and triple tracking lead vocals makes them sound wider and fuller in the mix, enhancing their presence without drawing attention away from the main vocal.

Q: How can I find the right pan position for doubled vocals?
A: Experiment with the pan position while keeping the lead vocal centered. Find a spot just inside the left and right pan where the doubles enhance the vocal sound without competing for attention.

Q: What should I do if doubled vocals start to sound too harsh?
A: Cut some presence and sibilance using EQ on the doubled vocals to ensure they sit comfortably under the main lead vocal without sounding overpowering.